一直作為(✒)米路斯.科曼劇本(běn )鐵三角(另一位是(🔱)帕培錫,也是(shì )本片編劇之一)成員的(🏴)艾(🗼)雲.巴(💤)薩,當(📿)然也走低度戲劇路線。同是音樂家(🐿)的彼德與卡洛(luò )老(🛍)友重逢,生(🙍)活(huó )狀況大(🥄)不同,你有伴侶我有(🎿)家庭(tíng ),然而都有說不出的不(bú )明朗,唯有以(🤷)酒與音(yīn )(⏺)樂(lè )代替口水(shuǐ )。全片(🌚)推展(zhǎn )(🚨)不問目(😞)的(🖲),只在剎那(🌑)間(jiān )的(🌊)意圖,行行企(🙂)企比起(qǐ )科曼更義無反顧,卻有生活(huó )(💪)淡(dàn )如流水的詩意和繆(👃)思,叫(🚻)觀(🤲)眾(zhòng )聯想到二(👺)十年後的伊力.盧馬。巴(🤖)薩鍾愛(🌮)音樂的程(🈁)度不下於文字(🥊)和(hé )電影,古典(🐾)音樂與民間(jiān )(🏻)音樂(lè )於全片迴轉迴盪,難怪(🚶)成(💹)了奇斯洛夫斯基十大心愛(ài )電影之一(😙)。
康(kāng )城影(yǐng )(🏴)展青年(nián )評審團獎,美國(guó )(🖍)全國(💣)影(yǐng )(🔥)評人協(📞)會特(tè )別獎
(🎦)
這部1966年的(de )珍品,是捷克新浪潮短(❄)暫生命中最佳作品之(🔬)一。成名音樂家(🐌)到小鎮探訪舊同(tóng )(⛅)學,舊同(tóng )學是個(🛌)窮音(yīn )樂教(jiāo )(🚓)師,有時在喪(🏗)禮上吹奏樂(lè )曲。平(⛎)凡的(de )素材在巴素手(shǒu )裡(lǐ ),變(biàn )出風(🦐)趣復罕見的旋(🍗)律(lǜ ),一部憂鬱的(de )喜劇(jù ),或灰色喜劇。
(🚔)- Dave Kehr, Chicago Reader
Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.
Special Award, National Society of Film Critics Awards
Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.
(🈴) - Elliott Stein, Village Voice
(📏)
(✏) Source: HKIFF Czech New Wave 2006
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