故事分(fèn )成三個(🥇)章(📼)節:主(zhǔ )要(🍩)的章(zhāng )節由(yóu )高達親自飾演(yǎn )導(🤢)演(🤴),正要趕乘(🎹)飛機,在24小(xiǎo )時(🏴)內把(🐮)一部電影的菲林交給監製;同時一隊(duì )二(🚤)人流行(háng )電(diàn )子(🔸)音(👑)樂組合,不斷排練(liàn )歌(🙍)曲,最後(hòu )(🥄)在路上(shàng )(🏐)表演;另(lìng )一(yī )(📞)邊廂,愚笨的大肥佬捲入一宗(zōng )事(shì )件,被(😱)神秘女人密切監(🌙)視,最後更被拘捕。三(⏯)段故事(shì )(🔢)看似毫無(wú )關連,實際是高達以電(🔝)影(✋)來討論電影(🤸)製作(🙄)和藝(yì )術創(🙉)作的重(🎾)要。片名看似(sì )帶有弦外之音,就像(xiàng )(💠)高(gāo )達(dá )(⛳)暗(🏯)示,假如監(jiān )製(🧟)或其他人要(yào )干擾導(dǎo )演的藝術(shù )創作,就索性我(wǒ )行我(🚗)素,忠於自己的道路(lù )(⛏)好了(le )。這大(🃏)概亦示範了(le )高(gāo )達如何(😝)純熟地(dì )運用電影媒體來做評論。
A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours an electronic duo keeps rehearsing for their roadshow a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.
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